Friday, September 18-19, 2026/8 Tishrei 5787

Friday, September 18-19, 2026/8 Tishrei 5787

Parashat Ha’Azinu Deuteronomy 32:1-52

Haftarah Hosea 14:2-10; Micah 7:18-20; Joel 2:15-27

Shabbat Shuva

Dear TBE Community,

On Shabbat Shuva — the Shabbat between Rosh Hashanah and Yom Kippur, the Shabbat of the in-betweens, between judging and sealing, between forgiving and sitting it out another year – on this first Shabbat of the new year, the mood is meditative, introspective. The mood is meditative, introspective. Right now is also a time when the shadows of the late summer grow longer earlier, when we’re slowly beginning to think of the cooler months ahead, when we start to prepare our houses for the next atmospheric river or another El Nino coming our way. Everything about this time of returning is in limbo, liminal, waiting in suspense. And this is when Torah turns to poetry. Parashat Ha’Azinu – Moses’ parting words to the Israelites, his request to “give ear”, to “listen” to his voice – is almost entirely written in Biblical poetry.

Give ear, O heavens, let me speak;

Let the earth hear the words I utter!

May my discourse come down as the rain,

My speech distill as the dew,

Like showers on young growth,

Like droplets on the grass.

(Deuteronomy32:1-2)

Once Moses’ last song ends – shira, שירה, in Hebrew means both poem and song – God tells Moses how his life will end:

Ascend these heights of Abarim to Mount Nebo, which is in the land of Moab facing Jericho, and view the land of Canaan, which I am giving the Israelites as their holding. You shall die on the mountain that you are about to ascend, and shall be gathered to your kin, as your brother Aaron died on Mount Hor and was gathered to his kin; for you both broke faith with Me among the Israelite people, at the Waters of Meribath-kadesh in the wilderness of Zin, by failing to uphold My sanctity among the Israelite people. You may view the land from a distance, but you shall not enter it—the land that I am giving to the Israelite people.

(Deuteronomy 32:49-52)

And with those words reverberating, we go into Yom Kippur.

Death, or our mortality, is one central theme of Yom Kippur, though I am not particularly partial to explaining the custom of wearing white with the ubiquitous, if not wrong, answer that we are “rehearsing our death” and are all dressed in a cloth resembling a burial shroud. That is only one aspect. The kittel is not only worn for the final resting place, but also by a groom under the chuppah – and when we wear white on Rosh Hashanah, it is in an expression of new beginnings, humility, a desire to be pure. White was also worn by the maidens of Jerusalem when they went dancing in the vineyards on the afternoon on Yom Kippur and on Tu B’Av.

While the Days of Awe do focus on the preciousness of life and the life-force of creation – and while that importance is put into stark relief by contrasting it with our human mortality, Yom Kippur is ultimately a chag, a festival day, because we see the potential of forgiveness, of reconciliation, of living a valuable and meaningful life. Because our prayers express trust in God’s mercy. Because we walk away eager to enjoy life. And food.

Nevertheless, one of the commandments for Yom Kippur is to “afflict ourselves” – and besides being honest about our shortcomings and failings, that means traditionally the following: To abstain from eating and drinking, from bathing, from anointing, from wearing leather, from marital relations. And these traditional five afflictions are all related to mourning practices.

Though it must be noted that Judaism is adamant about who should fast: Only those who are physically able, who won’t endanger their well-being or health by abstaining from food or drinks. Judaism is a religious system that values life, saving life, above all other commandments. Please eat or drink, or put lip balm on your lips, if you need to, are pregnant, nursing, taking medications, or feel frail. You can try and eat smaller portions if you want to honor the mood of the day, but please rest assured that no one at TBE will judge you either way.

There are two things I’d love for you to consider: Last week, I invited you to wear white, and I would like to reiterate that invitation for Yom Kippur. And I would like to encourage you to not wear leather shoes – one of the almost fun characteristics of the solemn Yom Kippur is that otherwise formally or well-dressed people are walking around with flip-flops, sneakers, or other non-leathery footwear. Consider trying this out, if it feels meaningful – and again, if you need your leather shoes to walk more steadily, or just feel more comfortable, by all means, please wear them.

Lastly, I was almost surprised (in a positive way!) about the strong support I got from several of you regarding the suggestion to give cellphones a break while in the sanctuary. And I know — sometimes there’s this one photo you really want to take, and we are all grateful for footage that we can use for social or local media appearances. As with anything, especially in these liminal times of the in-betweens – it is a fine line to walk. Thank you for your measured consideration and balanced cooperation.

I look forward to our meditative Shabbat Shuva service with Pam Tarlow in the Beit Midrash tonight, and to being together with you on Yom Kippur.

G’mar Chatima Tova – May it be a good sealing.
Rabbi Julia Knobloch

Hadas Cootware

Torah School Coordinator

Hadas Cootware has been teaching Hebrew and Jewish Studies for over a decade, joining our Temple Beth El Community in 2018. Born and raised in Israel with Hebrew as her native language, she previously served as a combat soldier and operations officer in the IDF. Drawing on her studies in acting and psychology, she published a children’s book in Hebrew, The Marshmallow Story, which focuses on delayed gratification. Outside of teaching, she is the proud mother of her son, Henry, and loves to travel.

Ilan Davidson

Cantor

Cantor Ilan Davidson has been pleasing audiences with his singing since before he could read. At age five, he began singing with his Cantor, Philip Moddel, and hasn’t shut up since. At ten, he made his Operatic debut with the Fullerton Civic Light Opera’s production of Bizet’s Carmen, as a street urchin. Since then, he has performed roles in opera and musical theatre, performing, directing, and producing world-class productions.

Among his many accomplishments, Cantor Davidson is also known as a contemporary Jewish songwriter and performer, having delighted audiences all over the world, including Israel and Lithuania with the soulful sounds of his music. His recordings, Stained Glass (1995) and In A Hanukkah Mood (2007) are collections of original and covered songs by himself and many contemporary Jewish artists. His most recent recording, God Is In This Place (2020), is a collection of original liturgical pieces for the Friday night Shabbat Service, commissioned and written in honor of his 25th Anniversary as the Cantor of Temple Beth El.

Cantor Davidson left the stage and in 1995 joined the Temple Beth El family, in San Pedro, where, in his nearly 30 years of service, he has brought many new programs and much enthusiasm to all he does. Coming from a long line of Cantors, it must have been Besheret for Cantor Davidson, although talented in all areas of musical performance, to finally settle down into his career as Hazzan for Temple Beth El in San Pedro, California. In 2007, Cantor Davidson founded a new foundation, KindredSPIRITS, producing an annual world humanitarian aid event. KindredSPIRITS premiered on June 5, 2008 at Walt Disney Concert Hall, adding that prestigious concert hall to the ever growing list of venues around the world, where Davidson has performed. During the 10 years of humanitarian events, Global KindredSPIRITS, Inc., as an official 501©3, raised awareness and close to $500,000 for its beneficiaries over the decade.
As a past president of the South Coast Interfaith Council, Ilan fought for tolerance and understanding of ALL faiths in a difficult climate. For the past 7 years, Cantor Davidson has been service as an LA County Commissioner, representing the 4th District on the Human Relations Commission, where he currently serves as President. Whether it is raising his voice for justice, Hazzanut, Pop, Opera, Musical Theatre, or folk music, Cantor Ilan Davidson shares his soul and genuine love in every note.

When asked about his finest accomplishment, Cantor Ilan invariably responds, “After all the great concerts, services, and roles, my finest role in life is that of husband to my beautiful wife, Jodi, and daddy to my gorgeous daughters, Jordan and Zoe.”

Office: (310) 833-2467 Ext. 106

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