Friday, October 3, 2025/12 Tishrei, 5786

Friday, October 3, 2025/12 Tishrei, 5786

Parashat Ha’Azinu Deuteronomy 32:1-52

Dear TBE Community,

One of my favorite themes of the festival of Sukkot is the focus on impermanence. Not because I like impermanent situations. I love a real, solid house, to decorate it and make it a home, to keep an address for several years, to become part of an environment, a community.

But Sukkot reminds us that life often throws impermanence at us, that we must enjoy things as long as they last, even or especially when they don’t last as long as we wish. People we love will come into our lives and leave them again, an unobstructed view of the ocean might one day be blocked by a new building, a landmark that has looked the same for centuries might one day fall to ruins. New trees grow and new friends come. A new address becomes familiar. One day there is peace and the next day there is war and then again hope for more tranquil times, and the fear of losing them again. Much as we like to create permanent, lasting situations, life IS impermanent. And yet, we can find shelter and joy in the fragile, flimsy moments, under a roof of bamboo and palm fronds, exposed, yet not too much, to the vicissitudes of nature (though granted, the California sukkahs can be much lighter than the east coast sukkahs…).

We often say that the time leading up to the High Holy Days is the time of soul searching and reflection. And that is true of course. But the days after Yom Kippur and the days of Sukkot are the days where our introspection really unfolds, where we get to digest the intensity of the Days of Awe.

Most of Parashat Ha’Azinu consists of a long poem; Moses’ finale, after his prose in the previous parsha, now as poetry.

Moses came, together with Hosea son of Nun, and recited all the words of this poem in the hearing of the people. (Deuteronomy 32:44)

In fact, Parashat Ha’Azinu famously leaves it open to interpretation whether “this poem” refers only to Moses’ most recent words, or the entire Torah, which has prompted a long and rich discussion through the millennia, from the Talmud to today.

As a nod to Moses’s poetry, for this first Shabbat after Yom Kippur, I am sharing one of my first poems inspired by Torah, after riding my bicycle one afternoon along the East River, in New York

May your Shabbat be peaceful and calm, may you continue to enjoy the Days of Awe.

Shabbat Shalom,
Rabbi Julia Knobloch

The State of Things

On the day after Yom Kippur, I ride my bike along the waterfront.
Pious men build their sukkah before sunset.
Will they invite me to be their guest?
Priests and prophets are oblivious of emptiness.

The past is with me, an unhappy house
in my old neighborhood in Buenos Aires.
Across the river, platinum flickers.

There is a difference between dream and vision.
I want to describe the moon behind olive trees,
sunflowers against a black sky.
I want to keep the light that fills my bedroom
with the memory of a vacation home.
I want to fix what is broken before I can let it go.

The rabbi said one embrace can heal the world.

No one asks for forgiveness at the waterfront.
Longshoremen dance in Amsterdam.
The factory is gone.
I hear laughter in the rain.
I don’t have the words for a poem I need to write.

Pious men smoke and squint at skinny girls.
A string puppet plays the violin.
The Argentine bard’s name was
He who comes from faraway lands to say something.
I smell my hair in the evening wind.

Hadas Cootware

Torah School Coordinator

Hadas Cootware has been teaching Hebrew and Jewish Studies for over a decade, joining our Temple Beth El Community in 2018. Born and raised in Israel with Hebrew as her native language, she previously served as a combat soldier and operations officer in the IDF. Drawing on her studies in acting and psychology, she published a children’s book in Hebrew, The Marshmallow Story, which focuses on delayed gratification. Outside of teaching, she is the proud mother of her son, Henry, and loves to travel.

Ilan Davidson

Cantor

Cantor Ilan Davidson has been pleasing audiences with his singing since before he could read. At age five, he began singing with his Cantor, Philip Moddel, and hasn’t shut up since. At ten, he made his Operatic debut with the Fullerton Civic Light Opera’s production of Bizet’s Carmen, as a street urchin. Since then, he has performed roles in opera and musical theatre, performing, directing, and producing world-class productions.

Among his many accomplishments, Cantor Davidson is also known as a contemporary Jewish songwriter and performer, having delighted audiences all over the world, including Israel and Lithuania with the soulful sounds of his music. His recordings, Stained Glass (1995) and In A Hanukkah Mood (2007) are collections of original and covered songs by himself and many contemporary Jewish artists. His most recent recording, God Is In This Place (2020), is a collection of original liturgical pieces for the Friday night Shabbat Service, commissioned and written in honor of his 25th Anniversary as the Cantor of Temple Beth El.

Cantor Davidson left the stage and in 1995 joined the Temple Beth El family, in San Pedro, where, in his nearly 30 years of service, he has brought many new programs and much enthusiasm to all he does. Coming from a long line of Cantors, it must have been Besheret for Cantor Davidson, although talented in all areas of musical performance, to finally settle down into his career as Hazzan for Temple Beth El in San Pedro, California. In 2007, Cantor Davidson founded a new foundation, KindredSPIRITS, producing an annual world humanitarian aid event. KindredSPIRITS premiered on June 5, 2008 at Walt Disney Concert Hall, adding that prestigious concert hall to the ever growing list of venues around the world, where Davidson has performed. During the 10 years of humanitarian events, Global KindredSPIRITS, Inc., as an official 501©3, raised awareness and close to $500,000 for its beneficiaries over the decade.
As a past president of the South Coast Interfaith Council, Ilan fought for tolerance and understanding of ALL faiths in a difficult climate. For the past 7 years, Cantor Davidson has been service as an LA County Commissioner, representing the 4th District on the Human Relations Commission, where he currently serves as President. Whether it is raising his voice for justice, Hazzanut, Pop, Opera, Musical Theatre, or folk music, Cantor Ilan Davidson shares his soul and genuine love in every note.

When asked about his finest accomplishment, Cantor Ilan invariably responds, “After all the great concerts, services, and roles, my finest role in life is that of husband to my beautiful wife, Jodi, and daddy to my gorgeous daughters, Jordan and Zoe.”

Office: (310) 833-2467 Ext. 106

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