Friday, May 29, 2026/14 Sivan 5786

Friday, May 29, 2026/14 Sivan 5786

Parashat Naso, Numbers 4:21-7:89

Haftarah Judges 13:2-25

Last Shabbat, the parsha-reading calendars in the diaspora on the one hand and Israel as well as Reform congregations on the other hand diverged. And they diverge again this Shabbat.

Wait, what does that mean?

In Israel and the Reform world, the pilgrimage festivals are observed only one-day, or seven-days, while the remaining denominations in the diaspora observe two-days, or eight days: Sukkot, Passover, Shavuot. There usually is one Shabbat that falls out during the second day of a festival. Like this year: Last week, Shavuot began on Thursday evening and lasted until Friday evening in Israel and for most Reform congregations, while everyone else added another day. That meant that the Torah readings differed – and they will now continue to differ until the end of the Book of Numbers, when everyone will be literally on the same page again. Hazak!

So last week, some congregations read specific Shavuot Torah readings, while others already moved along through the desert and read Parashat Naso. Now, there’s another layer of confusion: American Reform congregations will wait for their diaspora friends to catch up this week and thus read Naso twice: Naso I (last week) and Naso II (this week), whereas European Reform congregations keep the pace with Israel and read Beha’alotecha this week.

Oy Vey! This is truly one of those instances when the saying: “Two Jews, three opinions” rings so true!

I decided to write about Shavuot last week, since by the time the newsletter reached your inboxes, it was still Shavuot, and we were gathering at Ner Tamid for a Shavuot learning in the evening, and we read a Shavuot related Torah portion on Confirmation Shabbat, even though technically, for Reform, it was no longer Shavuot. Applied rabbinics, right?! No one can say I didn’t put enough thought into this J

So now, today, this Shabbat: Naso. Not Naso I or II, just Naso.

Not that this parasha doesn’t offer enough material to write about twice in a row. But I thought it’s simpler that way. And I knew that the passage I wanted to write about technically falls into what American Reform congregations call Naso II: Birkat Kohanim, the Priestly Blessing.

Before we dive in, let’s zoom out for a moment. In the past, I have quoted Abraham Joshua Heschel writing about the land of Israel, and it fits here again:

The land of Israel—biblical chapters hovering everywhere. Places like Hebrew letters, waiting to be vocalized, waiting for crowns with which to be adorned. The land is a text. Here you are illiterate unless you remember words of Scripture. Wherever you stand you are at the frontier of biblical moments.[1]

While that is undoubtedly and mind-blowingly true, it is also true that archaeological findings that directly and univocally connect the land, the Jewish people and particular events recorded in Torah / Tanakh are rare. Of course, there are many tels and ruins and graves and pottery shards and shrines and excavation layers, and a few coins, and nobody will seriously dispute that Israelites, Judahites, Jews have lived on that Levantine soil for thousands of years, but there aren’t many artifacts that specifically support especially older Biblical narrative.

But when they exist, they are staggeringly and powerfully unambiguous. Or unambiguously powerful.

In 1979, two tiny silver scrolls containing fragments of the Priestly Blessing were found during an excavation at the Ketef Hinnom site in Jerusalem. Ketef Hinnom is an ancient burial site southwest of the Old City of Jerusalem, near today’s Begin Center, not far from the First Station. Ketef means shoulder, and the site sits on the ridge that runs somewhat parallel to Hebron Road there, overlooking that deep cut into the landscape below, the Valley of Hinnom, the steep ravine we know as Valley of deepest Darkness from Psalm 23.

The age of the miniature scrolls, worn as amulets, was dated to around 600 BCE, making them the oldest surviving texts from the Hebrew Bible currently known. Just think about it – this was just before the destruction of the first Temple!

More than 2600 years ago, people were buried in a cave in Jerusalem, overlooking the Hinnom Valley, wearing silver amulets containing this powerful evocation of the Divine Presence, that is recorded in this week’s parasha, Numbers 6:24-26, and that we say to this day:

יְבָרֶכְךָ יְהֹוָה וְיִשְׁמְרֶךָ׃ 

May God bless you and protect you!

יָאֵר יְהֹוָה פָּנָיו אֵלֶיךָ וִיחֻנֶּךָּ׃ 

May God deal kindly and graciously with you!

יִשָּׂא יְהֹוָה פָּנָיו אֵלֶיךָ וְיָשֵׂם לְךָ שָׁלוֹם׃ 

May God bestow favor upon you and grant you peace!

And that is the power of archaeology, of biblical studies, of our liturgy, our texts – and of Jerusalem: Jerusalem, like Judaism, is a vacuum. Like Torah, it preserves and recalls prayers and blessings lost and anchored in time and place. Abraham Joshua Heschel was right: Wherever you stand, you are at the frontier of biblical moments. The land is text.

[1] Abraham Joshua Heschel: An Echo of Eternity, Jewish Lights 1995, 119

Shabbat Shalom,
Rabbi Julia Knobloch

Hadas Cootware

Torah School Coordinator

Hadas Cootware has been teaching Hebrew and Jewish Studies for over a decade, joining our Temple Beth El Community in 2018. Born and raised in Israel with Hebrew as her native language, she previously served as a combat soldier and operations officer in the IDF. Drawing on her studies in acting and psychology, she published a children’s book in Hebrew, The Marshmallow Story, which focuses on delayed gratification. Outside of teaching, she is the proud mother of her son, Henry, and loves to travel.

Ilan Davidson

Cantor

Cantor Ilan Davidson has been pleasing audiences with his singing since before he could read. At age five, he began singing with his Cantor, Philip Moddel, and hasn’t shut up since. At ten, he made his Operatic debut with the Fullerton Civic Light Opera’s production of Bizet’s Carmen, as a street urchin. Since then, he has performed roles in opera and musical theatre, performing, directing, and producing world-class productions.

Among his many accomplishments, Cantor Davidson is also known as a contemporary Jewish songwriter and performer, having delighted audiences all over the world, including Israel and Lithuania with the soulful sounds of his music. His recordings, Stained Glass (1995) and In A Hanukkah Mood (2007) are collections of original and covered songs by himself and many contemporary Jewish artists. His most recent recording, God Is In This Place (2020), is a collection of original liturgical pieces for the Friday night Shabbat Service, commissioned and written in honor of his 25th Anniversary as the Cantor of Temple Beth El.

Cantor Davidson left the stage and in 1995 joined the Temple Beth El family, in San Pedro, where, in his nearly 30 years of service, he has brought many new programs and much enthusiasm to all he does. Coming from a long line of Cantors, it must have been Besheret for Cantor Davidson, although talented in all areas of musical performance, to finally settle down into his career as Hazzan for Temple Beth El in San Pedro, California. In 2007, Cantor Davidson founded a new foundation, KindredSPIRITS, producing an annual world humanitarian aid event. KindredSPIRITS premiered on June 5, 2008 at Walt Disney Concert Hall, adding that prestigious concert hall to the ever growing list of venues around the world, where Davidson has performed. During the 10 years of humanitarian events, Global KindredSPIRITS, Inc., as an official 501©3, raised awareness and close to $500,000 for its beneficiaries over the decade.
As a past president of the South Coast Interfaith Council, Ilan fought for tolerance and understanding of ALL faiths in a difficult climate. For the past 7 years, Cantor Davidson has been service as an LA County Commissioner, representing the 4th District on the Human Relations Commission, where he currently serves as President. Whether it is raising his voice for justice, Hazzanut, Pop, Opera, Musical Theatre, or folk music, Cantor Ilan Davidson shares his soul and genuine love in every note.

When asked about his finest accomplishment, Cantor Ilan invariably responds, “After all the great concerts, services, and roles, my finest role in life is that of husband to my beautiful wife, Jodi, and daddy to my gorgeous daughters, Jordan and Zoe.”

Office: (310) 833-2467 Ext. 106

Skip to content