Friday, May 15, 2026/29 Iyar, 5786

Friday, May 15, 2026/29 Iyar, 5786

Parashat Bamidbar Numbers 1:1-4:20

Haftara Hosea 2:1-22

Midrash Bamidbar Rabbah explores the opening verse of the Book of Numbers, Bamidbar (or B’midbar Sinai) with this famous passage:

“The Lord spoke to Moses in the wilderness of Sinai” – why in the wilderness of Sinai? From here the Sages taught that the Torah was given with three elements: With fire, with water, and in the wilderness. With fire, from where is it derived? “Mount Sinai was all smoke, because the Lord had descended upon it in fire” (Exodus 19:18). In water, from where is it derived? It is as it is stated: “Indeed, the heavens dripped, indeed, the clouds dripped water” (Judges 5:4). In the wilderness, from where is it derived? “The Lord spoke to Moses in the wilderness of Sinai.” (Numbers 1:1)”

The Hebrew term for desert many of us are familiar with is midbar, מדבר. But here, the translation gives “wilderness.” Sometimes, the Hebrew word for wilderness is aravah, ערבה, as for example in the name for the region in the south of Israel, the Aravah. The semantic and associative field of the terms “desert” and “wilderness” overlap to a certain degree but are ultimately distinct.

Both refer to a dry, arid geographic space with little water and vegetation. When as a child I heard “desert,” I thought of sand dunes and caravans, after having been in Israel, the Southwest, and Southern California, desert now also evokes dusty stones and mountain plateaus, bushes, cacti, and Joshua trees – and blooming flowers, oasis orchards.  Whereas when I hear “wilderness,” I might think of dusty and empty, sandy or rocky spaces as well, but not of anything that offers relief, lushness, beauty.

And indeed, the Jastrow dictionary notes that midbar also refers to pastureland – the hills of the Judean desert are green in the winter, just enough to graze your flocks of sheep or goats – whereas aravah can refer to confusion. “Pastureland” I connect with relief, “confusion” with being lost in the wilderness.

So why then did the JPS translator choose to render the Hebrew original midbar as wilderness? Isn’t it called the Sinai desert? Maybe there is not much to it. Maybe these words can just be used interchangeably after all. Sometimes poets read too much into one word over the other and go down an exegetical rabbit hole. It happens a lot in rabbinical school, whether you’re a poet or not.

Rabbit hole or not, poet or not, I would like to offer this thought: Using the term wilderness makes sense and is intentional because it is a foreshadowing of what is going to happen in the Book of Numbers: Tradition teaches that the Israelites became a nation with matan Torah, the giving of the Torah, revelation. This has just happened. The Book of Leviticus is a hiatus in the unfolding of the narrative, beyond time and space. Numbers picks up where Exodus ended. The Israelites are getting ready to march toward the Promised Land. They may have received Torah, but they are still very much a nation in formation. They don’t really know what they are doing. There still is a lot of chaos, confusion, despite the military buildup and marching orders, the tribal banners clattering in the desert wind. As they will make their way through that figurative wilderness of growing into a nation, they literally make their way through the desert, longer than anticipated, as it turns out. But this is how they receive Torah: step by step, failure by failure, chaos by chaos, station by station.

Another thought: During that long and arduous journey, Torah itself serves as a pastureland, as the blooming desert flowers, the wellspring under date palm in the oasis, as the murmurs of the desert that speak to our souls, our imagination, our creativity. And it serves as a litmus test for our capacity to learn from chaos and disorder: Torah was given through wilderness in the desert as a reminder that where once was emptiness and confusion, beautiful flowers can begin to bloom. (Bamidbar Rabbah 1:7)

Shabbat Shalom,
Rabbi Julia Knobloch

Hadas Cootware

Torah School Coordinator

Hadas Cootware has been teaching Hebrew and Jewish Studies for over a decade, joining our Temple Beth El Community in 2018. Born and raised in Israel with Hebrew as her native language, she previously served as a combat soldier and operations officer in the IDF. Drawing on her studies in acting and psychology, she published a children’s book in Hebrew, The Marshmallow Story, which focuses on delayed gratification. Outside of teaching, she is the proud mother of her son, Henry, and loves to travel.

Ilan Davidson

Cantor

Cantor Ilan Davidson has been pleasing audiences with his singing since before he could read. At age five, he began singing with his Cantor, Philip Moddel, and hasn’t shut up since. At ten, he made his Operatic debut with the Fullerton Civic Light Opera’s production of Bizet’s Carmen, as a street urchin. Since then, he has performed roles in opera and musical theatre, performing, directing, and producing world-class productions.

Among his many accomplishments, Cantor Davidson is also known as a contemporary Jewish songwriter and performer, having delighted audiences all over the world, including Israel and Lithuania with the soulful sounds of his music. His recordings, Stained Glass (1995) and In A Hanukkah Mood (2007) are collections of original and covered songs by himself and many contemporary Jewish artists. His most recent recording, God Is In This Place (2020), is a collection of original liturgical pieces for the Friday night Shabbat Service, commissioned and written in honor of his 25th Anniversary as the Cantor of Temple Beth El.

Cantor Davidson left the stage and in 1995 joined the Temple Beth El family, in San Pedro, where, in his nearly 30 years of service, he has brought many new programs and much enthusiasm to all he does. Coming from a long line of Cantors, it must have been Besheret for Cantor Davidson, although talented in all areas of musical performance, to finally settle down into his career as Hazzan for Temple Beth El in San Pedro, California. In 2007, Cantor Davidson founded a new foundation, KindredSPIRITS, producing an annual world humanitarian aid event. KindredSPIRITS premiered on June 5, 2008 at Walt Disney Concert Hall, adding that prestigious concert hall to the ever growing list of venues around the world, where Davidson has performed. During the 10 years of humanitarian events, Global KindredSPIRITS, Inc., as an official 501©3, raised awareness and close to $500,000 for its beneficiaries over the decade.
As a past president of the South Coast Interfaith Council, Ilan fought for tolerance and understanding of ALL faiths in a difficult climate. For the past 7 years, Cantor Davidson has been service as an LA County Commissioner, representing the 4th District on the Human Relations Commission, where he currently serves as President. Whether it is raising his voice for justice, Hazzanut, Pop, Opera, Musical Theatre, or folk music, Cantor Ilan Davidson shares his soul and genuine love in every note.

When asked about his finest accomplishment, Cantor Ilan invariably responds, “After all the great concerts, services, and roles, my finest role in life is that of husband to my beautiful wife, Jodi, and daddy to my gorgeous daughters, Jordan and Zoe.”

Office: (310) 833-2467 Ext. 106

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