Friday, June 5, 2026/21 Sivan 5786

Friday, June 5, 2026/21 Sivan 5786

Parashat Be’ha’alotecha Numbers 8:1-12:16

Haftarah Zechariah 2:14-4:7

You know I like to point out moments in our liturgy that come directly from Torah. There is something spiritually elevating about standing in a modern service and savoring that many of the words on our lips go back thousands of years. Last week, I wrote about a famous example, the priestly blessing, recorded in Parashat Naso. This week, we encounter another case of Torah as liturgy: Passages from the (traditional) Torah service.

The verses in question are Numbers 10:35-36. In Torah Study yesterday, we spoke about how these two verses form one special unit, and today, I’d like to share a different perspective.

Numbers 10:35 reads:

Whenever the Ark set out, Moses would say:

Arise, O Eternal One!

May Your enemies be scattered,

And may Your foes flee before You!

In more traditional communities, these are the words chanted when the Ark is opened. But when you look in Mishkan Tefilah, page 362, you will not find them. The reason for that is that the editors of the Reform prayer books struggled with the militaristic imagery of enemies scattering and foes fleeing before the banner of Torah. They didn’t want to have these words at the beginning of the service segment that brings Torah into the room. And so, this is why our siddur skips after “Melech El ram v’nisa, Adon olamim” directly to “Ki miTzion, tetze Torah”, on page 364, and that is when we now open the Ark.

Numbers 10:36 starts off the last passage of the Torah service, when the Torah scroll is already back in the still open ark

And when it came to rest, he would say:

Return, O Eternal One,

to the myriad thousands of Israel!

This verse is also absent in our Mishkan Tefilah. I assume it was cut because it is the continuation of the previous battle cry to advance toward the land, but standing by itself, it really feels more like a plea: Return, God. Come back to us. Stay with us; now that we are about to close the Ark again, we need your presence.

These opening meditative verses are soon followed by the familiar words many of us love to sing, and that you find on page 374: Etz chayim hi lamachazikim bah — “It is a tree of life to those who hold fast to it.” (Proverbs 3: 18)

Torah is a tree. Something to hold on to. Yet the truth is that much of the Torah narrative in Numbers is in fact the narrative of a military conquest or rather, the leading up to that conquest. The book of Numbers begins with a census of all men who can be drafted for military service. The camp, with the standards cluttering in the wind, is a military boot camp, waiting for its marching orders. Overall, in Torah, God has many names, and one is Adonai Tzevaot, The Lord of Hosts, the “man of war.” (Exodus 15:3).

The journey to the Promised Land is not only a journey of liberation; it is also a journey of a nation’s military conquest under the banner of Torah: Our sacred scripture as battle cry — or/and as a cry for help from God. In these times, we can both struggle and resonate with this truth. We might not agree with the Torah of an ultra-right government. But the Jewish people need protection – in Israel, and here. When does that need for protection, the elation about being spared turn into vengeful jubilation, or a free pass for human rights violations?

I understand the impulse to remove verses that no longer feel like words one can pray with integrity. Or that seem to endorse a logic and argumentation one does not endorse. I respect certain editorial choices, though I am not the only Reform Jew who prefers to sit with the discomfort rather than editing it away. Prayer, religion, spirituality is mystery, is irrational, is not as clear cut, will never be entirely consistent. If we canceled or rewrote everything that does not sit well with us or does not make sense scientifically, it will be hard to draw a line. Even the thorough German Reformers and their even more thorough American descendants didn’t achieve full consistency: Adonai Tzevaot still marches through our prayers. The redeemer (go’el) had to leave the Amidah and Yigdal for the sake of redemption (geulah) — but we still sing heartily about Moshiach ben David at Havdalah, when we conjure up Elijah the Prophet.

Meaning does not necessarily come from warm fuzziness. It can, but often, meaning comes after we wrestled with something. It can come from understanding why a passage is present — or why it has been removed. I believe that in order to understand why a passage was removed, we need to know why — and that — it was there in the first place. 

Torah is not a pick-and-choose spiritual comfort book. Torah is a yesod, a foundation — and foundations, like the foundation of the United States 250 years ago, are complicated, never perfect. Everyone will decide for themselves what makes sense to them, but I venture we can’t do it without inconsistencies, contradictions, awkwardness, compromises.

The Torah service begins with movement and ends with return. The Ark sets out. The Ark comes back, comes to rest. The pillar of fire moves, the pillar of cloud settles. The people journey, the people encamp. In between setting out and resting, in between discomfort and meditation, in between ancient contexts and modern prayer, we find ourselves in conversation with Torah. As we say on page 374: For I have given you good instruction; do not abandon my teachings (Proverbs 4:2).

Shabbat Shalom!
Rabbi Julia Knobloch

Hadas Cootware

Torah School Coordinator

Hadas Cootware has been teaching Hebrew and Jewish Studies for over a decade, joining our Temple Beth El Community in 2018. Born and raised in Israel with Hebrew as her native language, she previously served as a combat soldier and operations officer in the IDF. Drawing on her studies in acting and psychology, she published a children’s book in Hebrew, The Marshmallow Story, which focuses on delayed gratification. Outside of teaching, she is the proud mother of her son, Henry, and loves to travel.

Ilan Davidson

Cantor

Cantor Ilan Davidson has been pleasing audiences with his singing since before he could read. At age five, he began singing with his Cantor, Philip Moddel, and hasn’t shut up since. At ten, he made his Operatic debut with the Fullerton Civic Light Opera’s production of Bizet’s Carmen, as a street urchin. Since then, he has performed roles in opera and musical theatre, performing, directing, and producing world-class productions.

Among his many accomplishments, Cantor Davidson is also known as a contemporary Jewish songwriter and performer, having delighted audiences all over the world, including Israel and Lithuania with the soulful sounds of his music. His recordings, Stained Glass (1995) and In A Hanukkah Mood (2007) are collections of original and covered songs by himself and many contemporary Jewish artists. His most recent recording, God Is In This Place (2020), is a collection of original liturgical pieces for the Friday night Shabbat Service, commissioned and written in honor of his 25th Anniversary as the Cantor of Temple Beth El.

Cantor Davidson left the stage and in 1995 joined the Temple Beth El family, in San Pedro, where, in his nearly 30 years of service, he has brought many new programs and much enthusiasm to all he does. Coming from a long line of Cantors, it must have been Besheret for Cantor Davidson, although talented in all areas of musical performance, to finally settle down into his career as Hazzan for Temple Beth El in San Pedro, California. In 2007, Cantor Davidson founded a new foundation, KindredSPIRITS, producing an annual world humanitarian aid event. KindredSPIRITS premiered on June 5, 2008 at Walt Disney Concert Hall, adding that prestigious concert hall to the ever growing list of venues around the world, where Davidson has performed. During the 10 years of humanitarian events, Global KindredSPIRITS, Inc., as an official 501©3, raised awareness and close to $500,000 for its beneficiaries over the decade.
As a past president of the South Coast Interfaith Council, Ilan fought for tolerance and understanding of ALL faiths in a difficult climate. For the past 7 years, Cantor Davidson has been service as an LA County Commissioner, representing the 4th District on the Human Relations Commission, where he currently serves as President. Whether it is raising his voice for justice, Hazzanut, Pop, Opera, Musical Theatre, or folk music, Cantor Ilan Davidson shares his soul and genuine love in every note.

When asked about his finest accomplishment, Cantor Ilan invariably responds, “After all the great concerts, services, and roles, my finest role in life is that of husband to my beautiful wife, Jodi, and daddy to my gorgeous daughters, Jordan and Zoe.”

Office: (310) 833-2467 Ext. 106

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