Friday, June 19, 2026/5 Tammuz 5786

Friday, June 19, 2026/5 Tammuz 5786

Parashat Korach, Numbers 16:1-18:32

Haftarah 1 Samuel 11:14-12:22

Dear TBE Community,

In Jerusalem, when one walks down the street Emek Refaim toward the neighborhood HaMoshava HaGermanit, the German Colony, one passes an abandoned overgrown lot. It lies behind a rusting green fence, and one might overlook the signs that are affixed to the locked gate. On one sign is a poem, titled Rosh Ir – Mayor – and the other sign announces that this abandoned lot is supposed to become the Yehuda Amichai neighborhood, named after one of Israel’s most prolific and famous poets who lived, as the sign notes, from May 3, 1924 to September 22, 2000.

The Hebrew of the sign is confusing, at least for a non-native speaker like me. The Hebrew says כן מוקמת – here is established, or arguably, here will be established the Yehuda Amichai neighborhood.

But evidently, that sign is old, and whatever the aspiration and intention expressed in the Hebrew passive verb mukemet, it has not been, will not be fulfilled. Not far from the abandoned lot, further up a slope, surrounded by modern high rise apartment buildings, was placed a big hewn rock, a monument dedicated to Amichai’s memory, overlooking the space of the never-to-be neighborhood like a parve, lukewarm compromise.

I walked past this lot many times and took many photos of it from various angles by night and by day, as if documenting the vacant tristesse could somehow elucidate what had happened. I couldn’t understand – while any person, and any famous person to boot, will have antagonists, people who dislike or like to sabotage them for any reason, I felt saddened: What had happened, that the name of one of Israel’s poetry giants would sit there on this rusting sign, the lasting marker of some strife, some falling out, some political scheme? I imagined that younger generations, non-Israeli, non-Jewish tourists who might not know Amichai’s oeuvre would come to associate his name with that bog of failure and abandonment. I never really found out though I asked around, even Amichai’s widow who lived a few blocks away from me and seemed loathe to talk about it. Some real estate speculation, people eventually said, and a lot of protests and wrath and now a place that feels almost biblical, like the locations where earth, fire, or plague swallowed or consumed rebellious people.

That a place in Jerusalem would feel biblical might be no surprise, and even though I never met the man, I can’t imagine that Amichai would have been in favor of an expensive real estate development in his name. But as I said, I don’t know what happened, and why the lot sits there the way it does, and why the sign proclaiming the failed intention was never taken down – at least not until I last walked there three years ago.

The irony is that the poem about the mayor seems to be speaking to all that went wrong with the Yehuda Amichai Neighborhood:

Mayor

(Translated by Assia Gutmann)

It is sad to be the mayor of Jerusalem.

It is terrible.

How can any man be the mayor of a city like that?

What can he do with her?

He will build, and build, and build.

And at night the stones of the hills round about

will crawl down

toward the houses

like wolves coming

to howl at the dogs

who have become men’s slaves.

I always wanted to write about my feelings and thoughts that were stirred up when I walked past this lot. I never really got around to it, except for including a reference to it in my poem Emek Refaim, Kislev 5783. Only now, hiking through the hills surrounding Camp Newman – hills that are still vividly marked by the devastating fire nine years ago – and contemplating what to write for this week’s newsletter during Parashat Korach, did things begin to line up.

I remembered how I often imagined some Korach-style falling out when I walked past the green rusting fence and the inscrutable wasteland behind it; how I thought about how our hearts and souls are marked with cuts like landscapes are marked by fault lines, craters, petrified redwoods – or blackened trunks reaching into a blue sky like smokestacks from a Bruce Springsteen song. I thought about how the sons of Korach did not join their father’s rebellion and were not swallowed up by the earth but became Temple musicians and psalmists instead. And I thought of another Amichai poem that could be affixed to that green rusting fence in the shadowland of Emek Refaim, and that fits this week’s parsha as well:

The Place Where We Are Right

(Translated by Stephen Mitchell)

From the place where we are right

flowers will never grow

in the spring.

The place where we are right

is hard and trampled

like a yard.

But doubts and loves

dig up the world

like a mole, a plow.

And a whisper will be heard in the place

where the ruined

house once stood.

Shabbat Shalom!
Rabbi Julia Knobloch

Hadas Cootware

Torah School Coordinator

Hadas Cootware has been teaching Hebrew and Jewish Studies for over a decade, joining our Temple Beth El Community in 2018. Born and raised in Israel with Hebrew as her native language, she previously served as a combat soldier and operations officer in the IDF. Drawing on her studies in acting and psychology, she published a children’s book in Hebrew, The Marshmallow Story, which focuses on delayed gratification. Outside of teaching, she is the proud mother of her son, Henry, and loves to travel.

Ilan Davidson

Cantor

Cantor Ilan Davidson has been pleasing audiences with his singing since before he could read. At age five, he began singing with his Cantor, Philip Moddel, and hasn’t shut up since. At ten, he made his Operatic debut with the Fullerton Civic Light Opera’s production of Bizet’s Carmen, as a street urchin. Since then, he has performed roles in opera and musical theatre, performing, directing, and producing world-class productions.

Among his many accomplishments, Cantor Davidson is also known as a contemporary Jewish songwriter and performer, having delighted audiences all over the world, including Israel and Lithuania with the soulful sounds of his music. His recordings, Stained Glass (1995) and In A Hanukkah Mood (2007) are collections of original and covered songs by himself and many contemporary Jewish artists. His most recent recording, God Is In This Place (2020), is a collection of original liturgical pieces for the Friday night Shabbat Service, commissioned and written in honor of his 25th Anniversary as the Cantor of Temple Beth El.

Cantor Davidson left the stage and in 1995 joined the Temple Beth El family, in San Pedro, where, in his nearly 30 years of service, he has brought many new programs and much enthusiasm to all he does. Coming from a long line of Cantors, it must have been Besheret for Cantor Davidson, although talented in all areas of musical performance, to finally settle down into his career as Hazzan for Temple Beth El in San Pedro, California. In 2007, Cantor Davidson founded a new foundation, KindredSPIRITS, producing an annual world humanitarian aid event. KindredSPIRITS premiered on June 5, 2008 at Walt Disney Concert Hall, adding that prestigious concert hall to the ever growing list of venues around the world, where Davidson has performed. During the 10 years of humanitarian events, Global KindredSPIRITS, Inc., as an official 501©3, raised awareness and close to $500,000 for its beneficiaries over the decade.
As a past president of the South Coast Interfaith Council, Ilan fought for tolerance and understanding of ALL faiths in a difficult climate. For the past 7 years, Cantor Davidson has been service as an LA County Commissioner, representing the 4th District on the Human Relations Commission, where he currently serves as President. Whether it is raising his voice for justice, Hazzanut, Pop, Opera, Musical Theatre, or folk music, Cantor Ilan Davidson shares his soul and genuine love in every note.

When asked about his finest accomplishment, Cantor Ilan invariably responds, “After all the great concerts, services, and roles, my finest role in life is that of husband to my beautiful wife, Jodi, and daddy to my gorgeous daughters, Jordan and Zoe.”

Office: (310) 833-2467 Ext. 106

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