Friday, July 4, 2025/8 Tammuz, 5785

Friday, July 4, 2025/8 Tammuz, 5785

Parashat Chukat Numbers 19:1−22:1 

Torah Tidbit Chukat: Red Cows and Copper Snakes

In the July edition for Kol Beit El I wrote that Parashat Chukat is a parsha full of loss and chaos. And that’s true, as a quick recap shows: Miriam, Aaron, and many Israelites lose their lives. Miriam’s well ceases. The people grumble. Moses hits the rock and learns that he, too, will die before leading the people across the Jordan and touching the promised land. And yet, this parsha also offers at least two possibilities of healing: The Red Heifer ritual, primarily a ritual for purification after one has been in contact with a corpse, and the Nehushtan, the Copper Snake, which heals everyone who was previously bitten by venomous snakes sent by God to punish the Israelites for their complaining.
וַיֹּאמֶר יְהֹוָה אֶל־מֹשֶׁה עֲשֵׂה לְךָ שָׂרָף וְשִׂים אֹתוֹ עַל־נֵס וְהָיָה כׇּל־הַנָּשׁוּךְ וְרָאָה אֹתוֹ וָחָי
וַיַּעַשׂ מֹשֶׁה נְחַשׁ נְחֹשֶׁת וַיְשִׂמֵהוּ עַל־הַנֵּס וְהָיָה אִם־נָשַׁךְ הַנָּחָשׁ אֶת־אִישׁ וְהִבִּיט אֶל־נְחַשׁ הַנְּחֹשֶׁת וָחָי

Then יהוה said to Moses: Make a seraph (a figure of a fiery snake) and mount it on a standard. Anyone who was bitten and then looks at it shall heal. And Moses made a copper snake and mounted it on a standard, and when someone bitten by a snake looked at the copper snake, they would live. (Numbers 21:8-9)

I kept the Sefaria translation “shall heal” for the first verse but used the direct translation in the second verse. In both instances, the Hebrew says וָחָי – would live – which is the ultimate result of healing and recovering: Overcoming the venom’s deadly power.

Several things about the Copper Snake might strike as odd. First, doesn’t this smack of idolatry or magic? It does, though this is not the only time the Israelite cult incorporates pagan or culturally foreign elements. Second, why did Moses choose to make the snake figure of copper? God didn’t tell him to do so. And third, wouldn’t one prefer to dafka look away from the very representation of what has caused harm? While an understandable reaction, looking away avoids confrontation with the root of the suffering. It eschews reflection and acknowledgment, in the biblical narrative, that would be something like: I was bitten by a snake because I complained about God. Now, facing the snake’s image, I also face my impulse to complain, and that helps me to move on.

Whether or not one agrees with the theology behind such reasoning, what might resonate regardless is that facing the Nehushtan here catalyzes a process of liberation both from mental (aka the negative inclination to complain) and actual physical poisoning. In this case, the exposure to an ailment helps overcome it.

What are our Copper Snakes today? Every time I think about the Nehushtan, I recall that as a child, my brother was allergic against anything that contained raspberry flavor. He underwent a medical process called desensitization, a treatment that aims to reduce reactions by gradually exposing the body to the very allergen that causes the reaction. I think of how venting or joking about an ex-partner until it becomes boring not only for friends but also for oneself can be a good remedy. Or I think of folks who could only quit smoking when they still had cigarettes in reach, and it became their free choice not to light them.

None of these very mundane comparisons fit the biblical Copper Snake 100%, and the allergy treatment primarily diminishes the symptoms and might not work for everyone. And yet they all have in common that sometimes, in a measured way, exposure to what has caused harm can kick off a process of recovery, of a better or renewed life. I like to understand these verses in Numbers as outlining a certain form of therapy.

And the episode reveals an additional layer of the therapy process: Adding one’s own voice and imagination, one’s full self can be helpful, too. As noted above, God did not tell Moses to make a copper snake. Rashi, echoing Bereishit Rabah 31, describes Moses’ reasoning: “The Holy Blessed One called it a “snake” (נחש, nahash), so I will make it out of copper (נחושת, nehoshet): language falling on language.”

This is beautiful, poetic reasoning: Moses takes charge not only by erecting any snake figure but by taking the liberty to give it his personal, creative touch. I interpret this as an expression of resilience and of love. Moses likely could have used other materials. But he chose one that is related linguistically. Amidst dire circumstances, he was capable of remaining playful and opted to embellish the task by adding a lyrical note to the healing strategy. I understand this as a dedication that expresses love for God’s commandments as well as the life-affirming desire for complete healing.

Shabbat Shalom,
Rabbi Julia Knobloch
rabbiknobloch@bethelsp.org

Hadas Cootware

Torah School Coordinator

Hadas Cootware has been teaching Hebrew and Jewish Studies for over a decade, joining our Temple Beth El Community in 2018. Born and raised in Israel with Hebrew as her native language, she previously served as a combat soldier and operations officer in the IDF. Drawing on her studies in acting and psychology, she published a children’s book in Hebrew, The Marshmallow Story, which focuses on delayed gratification. Outside of teaching, she is the proud mother of her son, Henry, and loves to travel.

Ilan Davidson

Cantor

Cantor Ilan Davidson has been pleasing audiences with his singing since before he could read. At age five, he began singing with his Cantor, Philip Moddel, and hasn’t shut up since. At ten, he made his Operatic debut with the Fullerton Civic Light Opera’s production of Bizet’s Carmen, as a street urchin. Since then, he has performed roles in opera and musical theatre, performing, directing, and producing world-class productions.

Among his many accomplishments, Cantor Davidson is also known as a contemporary Jewish songwriter and performer, having delighted audiences all over the world, including Israel and Lithuania with the soulful sounds of his music. His recordings, Stained Glass (1995) and In A Hanukkah Mood (2007) are collections of original and covered songs by himself and many contemporary Jewish artists. His most recent recording, God Is In This Place (2020), is a collection of original liturgical pieces for the Friday night Shabbat Service, commissioned and written in honor of his 25th Anniversary as the Cantor of Temple Beth El.

Cantor Davidson left the stage and in 1995 joined the Temple Beth El family, in San Pedro, where, in his nearly 30 years of service, he has brought many new programs and much enthusiasm to all he does. Coming from a long line of Cantors, it must have been Besheret for Cantor Davidson, although talented in all areas of musical performance, to finally settle down into his career as Hazzan for Temple Beth El in San Pedro, California. In 2007, Cantor Davidson founded a new foundation, KindredSPIRITS, producing an annual world humanitarian aid event. KindredSPIRITS premiered on June 5, 2008 at Walt Disney Concert Hall, adding that prestigious concert hall to the ever growing list of venues around the world, where Davidson has performed. During the 10 years of humanitarian events, Global KindredSPIRITS, Inc., as an official 501©3, raised awareness and close to $500,000 for its beneficiaries over the decade.
As a past president of the South Coast Interfaith Council, Ilan fought for tolerance and understanding of ALL faiths in a difficult climate. For the past 7 years, Cantor Davidson has been service as an LA County Commissioner, representing the 4th District on the Human Relations Commission, where he currently serves as President. Whether it is raising his voice for justice, Hazzanut, Pop, Opera, Musical Theatre, or folk music, Cantor Ilan Davidson shares his soul and genuine love in every note.

When asked about his finest accomplishment, Cantor Ilan invariably responds, “After all the great concerts, services, and roles, my finest role in life is that of husband to my beautiful wife, Jodi, and daddy to my gorgeous daughters, Jordan and Zoe.”

Office: (310) 833-2467 Ext. 106

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