Friday, January 9, 2026/21 Tevet, 5786

Friday, January 9, 2026/21 Tevet, 5786

Parashat Shemot Exodus 1:1-6:1

Haftarah Isaiah 27:6-28:13 29:22-23

Dear TBE Community,

Maybe the sensation is familiar to you: Before you even set foot into a specific place, you know that you will resonate with that place. You can’t really explain why, you just know it. You feel drawn to a specific place for seemingly no reason; the sound of one city’s name is more alluring or promising than another; as a child, you read a book about a far-away land and the landscape you saw in your imagination stays with you until you finally visit – and when you do, it feels as if you’ve always been there, or have there before.

There are beshert places for our souls.

Other places become significant in hindsight, because something important happened there. A great miracle. A first kiss. A decisive encounter, or a difficult farewell. An epiphany, a revelation. The place begins to loom or figure prominently in the story of one’s life. Thus, an arbitrary patch of soil becomes different, special, set apart – holy, kadosh.

And Adonai saw that he had turned aside to see, and God called to him from the midst of the bush and said “Moses, Moses!” And he said, “Here I am.” And He said, “Come no closer here. Take off your sandals from your feet, for the place you are standing on is holy ground” (Exodus 3:4-5).

Holy ground – אַדְמַת־קֹדֶשׁ, admat kodesh.

In God’s revelation to Moses at the burning bush, the role of time in designating holiness to a place seems suspended: The place is already holy ground before Moses can even wrap his head around what is happening here. And furthermore, it is not Moses who assigns holiness to the place b’diavad, after the fact, after this great sight and life-altering experience. God declares it holy ground. Moses has entered divine space.

But where is that space located? The Hebrew states that it is אַחַר הַמִּדְבָּר, “behind the desert, or wilderness”, near Horeb, the mountain of God.

Commentators have been puzzled over the odd use of the preposition אַחַר, behind – what does “behind” the desert even mean? Or what is the “back side” of the desert, as the King James version has it? Did he go so far that, like in a fantasy novel, he crossed, unbeknownst to him, the boundaries from the regular mundane space into a realm that only a few will be able to cross?

I imagine something like that. I imagine that he did indeed walk very far that day, very deep into the wilderness. Far and deep as in when you drive through the last settlements of civilization before the expanse of the Colorado desert and pass the sign warning that you are on your own now and that there are no gas stations for the next 110 miles. No-man’s-land.

In the folk stories of my native Germany, the forest, the woods, is a place where the human realm of influence dissolves. A place where mysterious or transformative things happen, a place that can give shelter but also feel like a frightening labyrinth. Eastern-European hasids established the practice of going into the solitude of the woods in order to come closer to God.

For a native of the Middle East, the desert might play a similar role: It is familiar but also a place of danger. A place where people can lose or find themselves, a mysterious place of revelations and visions, of divine encounters.

And this is where Moses is in Exodus 3, “behind” the desert, when God reveals God-self to him: No-man’s-land. Maybe, like the patriarchs before him, he is in a state of trance, of solitude, lost in his own thoughts, daydreaming. The desert is hot and empty, he walked for hours, he didn’t pay attention and crossed into the sphere of the holy mountain (in Torah, Horeb and Sinai are different names used by different sources to designate the – or a – holy mountain of God.) As in other passages I have written about in recent newsletters, the whole setting feels once again surreal, in the true sense of the word: Above or beyond what’s real: Behind the desert.

Moses didn’t plan to go to that place. He happened upon it. In fact, he doesn’t resonate much with what this place – this Makom – conveys to him. No, he doesn’t want to become the leader of a people he barely ever knew. But, like Abraham who, in the Midrash, notices the castle burning in the emptiness of the wilderness, Moses notices the burning bush. And like the castle, the bush is not consumed. Truly a great sight; irresistible, alluring, frightening, mysterious, and certainly transformative for Moses. He might not have sought out that holy place on purpose, he might not feel that it was a beshert encounter — but he leaves that holy ground, that divine realm forever changed, with a new purpose, and a new destination.

Shabbat Shalom!
Rabbi Julia Knobloch

Hadas Cootware

Torah School Coordinator

Hadas Cootware has been teaching Hebrew and Jewish Studies for over a decade, joining our Temple Beth El Community in 2018. Born and raised in Israel with Hebrew as her native language, she previously served as a combat soldier and operations officer in the IDF. Drawing on her studies in acting and psychology, she published a children’s book in Hebrew, The Marshmallow Story, which focuses on delayed gratification. Outside of teaching, she is the proud mother of her son, Henry, and loves to travel.

Ilan Davidson

Cantor

Cantor Ilan Davidson has been pleasing audiences with his singing since before he could read. At age five, he began singing with his Cantor, Philip Moddel, and hasn’t shut up since. At ten, he made his Operatic debut with the Fullerton Civic Light Opera’s production of Bizet’s Carmen, as a street urchin. Since then, he has performed roles in opera and musical theatre, performing, directing, and producing world-class productions.

Among his many accomplishments, Cantor Davidson is also known as a contemporary Jewish songwriter and performer, having delighted audiences all over the world, including Israel and Lithuania with the soulful sounds of his music. His recordings, Stained Glass (1995) and In A Hanukkah Mood (2007) are collections of original and covered songs by himself and many contemporary Jewish artists. His most recent recording, God Is In This Place (2020), is a collection of original liturgical pieces for the Friday night Shabbat Service, commissioned and written in honor of his 25th Anniversary as the Cantor of Temple Beth El.

Cantor Davidson left the stage and in 1995 joined the Temple Beth El family, in San Pedro, where, in his nearly 30 years of service, he has brought many new programs and much enthusiasm to all he does. Coming from a long line of Cantors, it must have been Besheret for Cantor Davidson, although talented in all areas of musical performance, to finally settle down into his career as Hazzan for Temple Beth El in San Pedro, California. In 2007, Cantor Davidson founded a new foundation, KindredSPIRITS, producing an annual world humanitarian aid event. KindredSPIRITS premiered on June 5, 2008 at Walt Disney Concert Hall, adding that prestigious concert hall to the ever growing list of venues around the world, where Davidson has performed. During the 10 years of humanitarian events, Global KindredSPIRITS, Inc., as an official 501©3, raised awareness and close to $500,000 for its beneficiaries over the decade.
As a past president of the South Coast Interfaith Council, Ilan fought for tolerance and understanding of ALL faiths in a difficult climate. For the past 7 years, Cantor Davidson has been service as an LA County Commissioner, representing the 4th District on the Human Relations Commission, where he currently serves as President. Whether it is raising his voice for justice, Hazzanut, Pop, Opera, Musical Theatre, or folk music, Cantor Ilan Davidson shares his soul and genuine love in every note.

When asked about his finest accomplishment, Cantor Ilan invariably responds, “After all the great concerts, services, and roles, my finest role in life is that of husband to my beautiful wife, Jodi, and daddy to my gorgeous daughters, Jordan and Zoe.”

Office: (310) 833-2467 Ext. 106

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