Friday, December 26, 2025/7 Tevet, 5786

Friday, December 26, 2025/7 Tevet, 5786

Parashat VaYigash Genesis 44:18-47:27

Haftarah Ezekiel 37:15-28

Don’t you know that a man like me practices divination? At the end of last week’s parasha, Joseph asks his dumbfounded and shell-shocked brothers this question, upon producing the silver goblet from Benjamin’s saddle bag. Seemingly imputed for stealing, Benjamin might face severe punishment.

“Seemingly” imputed – because Benjamin did not steal the goblet. Joseph did not use magic or divination. He had planted the goblet into Benjamin’s saddle bag to manipulate the unfolding of events and to test his brothers once again: Would they stand up for their youngest brother, Rachel’s only other son?

This is yet another example for how people – Joseph, like Jacob and Tamar – interfere and become God’s partners on the way toward redemption – a redemption, to be sure, that coils up into a many-layered spiral and that remains unfinished both in the Torah narrative as well as in our foreseeable future, whether we practice divination or not. 

Now, in the immediate context of Genesis chapter 44 however, one person “redeems” himself, as the English goes: Judah, who steps up in Benjamin’s defense and takes responsibility

Then Judah went up to him and said, “Please, my lord, let your servant appeal to my lord, and do not be impatient with your servant, you who are the equal of Pharaoh. (Genesis 44:18)

The Hebrew verb translated here as “and he went up” is וַיִּגַּשׁ – the verb that gives the parasha its name: (Va)Yigash. It introduces a long discourse, in which Judah pleads with Joseph by recapitulating the events that led up to this precarious moment. While “went up” implies that Judah mustered courage when he walked up to a more powerful authority, the Hebrew offers more semantic connotations:

The root nun-gimmel-shin expresses a coming forward, a drawing near in an intimate or risky manner: In modern Hebrew, words for collision, clash, and arguing, even sexual intercourse, can stem from this same root. And Judah does all of this – by approaching the powerful and seemingly hostile Egyptian governor, he makes himself vulnerable, as intimacy can do. His long discourse could be perceived as pushing back, as arguing, as confrontational and might result in a clash worse than the situation the brothers are already in.

Yet Judah’s frank, vulnerable, courageous, and transparent action and speech lead to Joseph finally breaking down and revealing his identity. Subsequently, Jacob and the rest of the tribe move down to Egypt.

Judaism teaches that in the big picture of repairing the world, of tikkun olam, humans are not free from playing their part in the collective effort. Judah’s drawing near, his compassionate discourse expressing regret, teshuva, and accountability, is his personal contribution to the larger Israelite redemption narrative. It also underscores b’diavad, after the fact, the legitimacy of his line as one of the messianic lines: As I discussed during Parashat VaYeshev, the child he sires with Tamar is an ancestor of King David, traditionally the ancestor of the Messiah.

What does this mean in secular terms? What can redemption look like in the day-to-day? One answer is embedded in the English term, to “redeem oneself”: Humans can redeem themselves by correcting mistakes sincerely and sustainably. Tikkun olam begins on the interpersonal level, by mending relationships with fellow humans as much as possible. It requires us to draw near and make ourselves vulnerable and accept the risk that we will get push back or even cause a clash. It might mean speaking truth to power.

Sometimes, we have already sown the seeds for what we want or need to say, need to do before we are fully aware of it, and only in hindsight might meaning become manifest. This is a powerful dynamic to consider as the Gregorian year slowly fades out, and the Jewish year continues.

Shabbat Shalom!
Rabbi Julia Knobloch

Hadas Cootware

Torah School Coordinator

Hadas Cootware has been teaching Hebrew and Jewish Studies for over a decade, joining our Temple Beth El Community in 2018. Born and raised in Israel with Hebrew as her native language, she previously served as a combat soldier and operations officer in the IDF. Drawing on her studies in acting and psychology, she published a children’s book in Hebrew, The Marshmallow Story, which focuses on delayed gratification. Outside of teaching, she is the proud mother of her son, Henry, and loves to travel.

Ilan Davidson

Cantor

Cantor Ilan Davidson has been pleasing audiences with his singing since before he could read. At age five, he began singing with his Cantor, Philip Moddel, and hasn’t shut up since. At ten, he made his Operatic debut with the Fullerton Civic Light Opera’s production of Bizet’s Carmen, as a street urchin. Since then, he has performed roles in opera and musical theatre, performing, directing, and producing world-class productions.

Among his many accomplishments, Cantor Davidson is also known as a contemporary Jewish songwriter and performer, having delighted audiences all over the world, including Israel and Lithuania with the soulful sounds of his music. His recordings, Stained Glass (1995) and In A Hanukkah Mood (2007) are collections of original and covered songs by himself and many contemporary Jewish artists. His most recent recording, God Is In This Place (2020), is a collection of original liturgical pieces for the Friday night Shabbat Service, commissioned and written in honor of his 25th Anniversary as the Cantor of Temple Beth El.

Cantor Davidson left the stage and in 1995 joined the Temple Beth El family, in San Pedro, where, in his nearly 30 years of service, he has brought many new programs and much enthusiasm to all he does. Coming from a long line of Cantors, it must have been Besheret for Cantor Davidson, although talented in all areas of musical performance, to finally settle down into his career as Hazzan for Temple Beth El in San Pedro, California. In 2007, Cantor Davidson founded a new foundation, KindredSPIRITS, producing an annual world humanitarian aid event. KindredSPIRITS premiered on June 5, 2008 at Walt Disney Concert Hall, adding that prestigious concert hall to the ever growing list of venues around the world, where Davidson has performed. During the 10 years of humanitarian events, Global KindredSPIRITS, Inc., as an official 501©3, raised awareness and close to $500,000 for its beneficiaries over the decade.
As a past president of the South Coast Interfaith Council, Ilan fought for tolerance and understanding of ALL faiths in a difficult climate. For the past 7 years, Cantor Davidson has been service as an LA County Commissioner, representing the 4th District on the Human Relations Commission, where he currently serves as President. Whether it is raising his voice for justice, Hazzanut, Pop, Opera, Musical Theatre, or folk music, Cantor Ilan Davidson shares his soul and genuine love in every note.

When asked about his finest accomplishment, Cantor Ilan invariably responds, “After all the great concerts, services, and roles, my finest role in life is that of husband to my beautiful wife, Jodi, and daddy to my gorgeous daughters, Jordan and Zoe.”

Office: (310) 833-2467 Ext. 106

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