Friday, August 29, 2025/6 Elul, 5785

Friday, August 29, 2025/6 Elul, 5785

Parashat Shof’tim Deuteronomy 16:18–21:9

Dear TBE Community,

The month of Elul is traditionally understood as a month of intensified soul-searching, a month where the longing to be closer to one’s inner nature as well as to God manifests itself more starkly, and in a more vulnerable manner. Related to this understanding is the perception of Elul as a month of love.

Love encompasses sensations like desire, the longing for closeness with a loved-one, as well as a readiness for vulnerability, an openness to reveal at least some of one’s secrets.

The rabbinic sages liked to imbue even the most mundane appearing thing with meaning, to interpret it in a way that would resonate with how they saw the world: a world infused, in every tiny nook and on even the thinnest layer, with Judaism, with love for Judaism, and with love for God. All these things were one. Love for Judaism could not exist without love for God and vice versa.

אֲנִי לְדוֹדִי וְדוֹדִי לִי

Ani le dodi ve dodi li – I am my beloved’s and my beloved is mine.

Because the rabbis were so enamored with love for God, with love as the essence of Judaism, their midrashic force knew no bounds: Look, they said, isn’t it beautiful, how the spelling of Elul – אלול – is like an acronym for this verse from the Song of Songs, that collection of erotic poems of longing for a beloved! (Maybe the rabbis established the propensity for acronyms in the Jewish professional world?!)

While the poems in the Song of Songs are unambiguously centered in a sensual here and now, the Talmudic commentators and following generations of commentators chose to read them as an illustration of the loving relationship between God and Israel, effectively merging the realm of piety and earnest Torah study with the down-to-earth realm of longing and desire. (Christian commentators alike chose to read it that way, merely emendating their interpretation to refer to God/Jesus and the Church.)

In our Rosh Chodesh session recently, some participants didn’t so much resonate with the anthropomorphic image of God as a beloved, desired king. I can relate; there is a potentially unhealthy power dynamic in such a constellation. And yet, the blending of desire to be close to God with the desire to be close to a beloved has been over the years a poetic inspiration for me, and it has allowed me to reflect more honestly about the human longing to see behind the secretive veil of the often-indifferent feeling universe.

There are limits to human understanding and human knowing, as well as to the human capacity of expression. The closest most intense experience humans arguably might know is love – be it love for a partner, a parent, a child, or a very dear person. So, when we want to describe feelings for God, turning to love language seems the next accessible vocabulary.

As I mentioned above, one theme of Elul is the longing to come closer to God. When people love, they have a sense of knowing, but they also long to know the subject of their love better, in an ever more intimate way. Seeing the face of a loved-one may be what we long for always – the face of our mother or father, our partner, our child, our friend. Thus, it might seem relatable that generations of rabbis and Torah commentators have expressed their desire to know God with an image from the human realm: To seek God, to try to come closer to the Divine, is like longing to see a beloved face up close.

Psalm 27, the psalm traditionally recited through Elul until the end of Sukkot, contains verses that express just that. Here are the verses familiar from the communal chanting:

אַחַת שָׁאַלְתִּי מֵאֵת־יְהֹוָה אוֹתָהּ אֲבַקֵּשׁ שִׁבְתִּי בְּבֵית־יְהֹוָה כׇּל־יְמֵי חַיַּי לַחֲזוֹת בְּנֹעַם־יְהֹוָה וּלְבַקֵּר בְּהֵיכָלוֹ׃

One thing I ask of God

only that do I seek:

to live in the house of Adonai

all the days of my life

to gaze upon the beauty of God

to visit Adonai in Adonai’s temple.

These verses already express a desire to be close to God, to behold God’s presence as if beholding a beloved face. And the psalmist continues a few lines below:

לְךָ אָמַר לִבִּי בַּקְּשׁוּ פָנָי אֶת־פָּנֶיךָ יְהֹוָה אֲבַקֵּשׁ׃

For You my heart says:

“Seek My face!”

Oh Adonai, I seek Your face.

To seek God’s face, the face of a loved-one, is a recurring image in Biblical language and poetry. It connotes a desire for intimacy, a longing to see God’s true, inner nature.

Showing one’s inner nature is a vulnerable act. “Let me see your beauty broken down, like you would do for one you love,” Leonard Cohen sings in “Take this Longing.” Like in Elul, like in “Ani le dodi ve dodi li,” there’s a reciprocity expressed in this title: Take this longing, receive it – this longing that I want to give you.

The topos of “seeking God’s face” is to me one example of how masterfully and poetically the Jewish liturgical and literary tradition plays on the keys of love, vulnerability, desire for the divine unknown as it explores the human need to draw close to the secrets we may never fully uncover. And yet we try, every day.

Shabbat Shalom!
Rabbi Julia Knobloch
rabbiknobloch@bethelsp.org

Hadas Cootware

Torah School Coordinator

Hadas Cootware has been teaching Hebrew and Jewish Studies for over a decade, joining our Temple Beth El Community in 2018. Born and raised in Israel with Hebrew as her native language, she previously served as a combat soldier and operations officer in the IDF. Drawing on her studies in acting and psychology, she published a children’s book in Hebrew, The Marshmallow Story, which focuses on delayed gratification. Outside of teaching, she is the proud mother of her son, Henry, and loves to travel.

Ilan Davidson

Cantor

Cantor Ilan Davidson has been pleasing audiences with his singing since before he could read. At age five, he began singing with his Cantor, Philip Moddel, and hasn’t shut up since. At ten, he made his Operatic debut with the Fullerton Civic Light Opera’s production of Bizet’s Carmen, as a street urchin. Since then, he has performed roles in opera and musical theatre, performing, directing, and producing world-class productions.

Among his many accomplishments, Cantor Davidson is also known as a contemporary Jewish songwriter and performer, having delighted audiences all over the world, including Israel and Lithuania with the soulful sounds of his music. His recordings, Stained Glass (1995) and In A Hanukkah Mood (2007) are collections of original and covered songs by himself and many contemporary Jewish artists. His most recent recording, God Is In This Place (2020), is a collection of original liturgical pieces for the Friday night Shabbat Service, commissioned and written in honor of his 25th Anniversary as the Cantor of Temple Beth El.

Cantor Davidson left the stage and in 1995 joined the Temple Beth El family, in San Pedro, where, in his nearly 30 years of service, he has brought many new programs and much enthusiasm to all he does. Coming from a long line of Cantors, it must have been Besheret for Cantor Davidson, although talented in all areas of musical performance, to finally settle down into his career as Hazzan for Temple Beth El in San Pedro, California. In 2007, Cantor Davidson founded a new foundation, KindredSPIRITS, producing an annual world humanitarian aid event. KindredSPIRITS premiered on June 5, 2008 at Walt Disney Concert Hall, adding that prestigious concert hall to the ever growing list of venues around the world, where Davidson has performed. During the 10 years of humanitarian events, Global KindredSPIRITS, Inc., as an official 501©3, raised awareness and close to $500,000 for its beneficiaries over the decade.
As a past president of the South Coast Interfaith Council, Ilan fought for tolerance and understanding of ALL faiths in a difficult climate. For the past 7 years, Cantor Davidson has been service as an LA County Commissioner, representing the 4th District on the Human Relations Commission, where he currently serves as President. Whether it is raising his voice for justice, Hazzanut, Pop, Opera, Musical Theatre, or folk music, Cantor Ilan Davidson shares his soul and genuine love in every note.

When asked about his finest accomplishment, Cantor Ilan invariably responds, “After all the great concerts, services, and roles, my finest role in life is that of husband to my beautiful wife, Jodi, and daddy to my gorgeous daughters, Jordan and Zoe.”

Office: (310) 833-2467 Ext. 106

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