Friday, November 6-7, 2026/27 Heshvan 5787

Friday, November 6-7, 2026/27 Heshvan 5787

Parashat Chaye Sarah Genesis 23:1-25:18

Haftarah 1 Kings 1:1-31

Dear TBE Community,

This week’s Torah portion, Chayei Sarah, begins with death and ends with the continuation of life. Sarah dies, and Abraham purchases the Cave of Machpelah to bury her. Later, Rebecca arrives from a distant land, marries Isaac, and enters Sarah’s tent with him, ensuring the continuation of generations to come.

Between Sarah’s grave and Sarah’s tent lies a lesson about Jewish identity:

When Abraham negotiates the purchase of the cave, he describes himself to the local inhabitants as ger vetoshav: “I am a stranger and a resident among you” (Genesis 23:4). He belongs, and he does not belong. As he is making his home in this new land, he remains an outsider.

And then Abraham buried his wife Sarah in the cave of the field of Machpelah, facing Mamre—now Hebron—in the land of Canaan. (Genesis 23:19)

In the moment of loss and grief, the grave (note how astutely the location is described) becomes the first place of belonging, maybe even comfort, in the new land. A place that cannot be disputed because it was acquired legally and thus can preserve the holiness of memory for the future “to this day” – even though in these days, Hebron of course is a heavily contested site.

The tension between belonging and otherness rings familiar throughout Jewish history: Jewish communities have lived for centuries in societies they called and call home, and Jewish identity is shaped by a simultaneous experience of belonging and otherness, even in Israel: For example, many olim, new immigrants, are not made to feel they belong like those whose families have lived there for generations.

It is precisely this question of belonging and otherness, and, relatedly, of how Jews see themselves and how others see us, that we will explore during our Scholar-in-Residence weekend with award-winning journalist Esther Kustanowitz: From Fiddler to Fauda, from the images and stereotypes of Jews on screen to the ways Jewish artists, writers, and performers portray their own identities, popular culture offers a mirror of that ancient tension between being both stranger and resident.

Parashat Chayei Sarah highlights another aspect of this tension: While Abraham insists that Isaac marry someone from his ancestral lineage, he is equally adamant that Isaac must not return there to marry: The next generation must remember where they came from without going back.

Jewish continuity is not about recreating the past. It is about carrying something from the past into a future that will inevitably look different. Rebecca, the second matriarch, embodies this movement. When asked whether she is willing to leave her home and begin a new life in a place she does not know, she answers with one word: Elekh – “I will go” (Genesis 24:58), echoing the call to Abraham: Lech Lecha. (Genesis 12:1) Rebecca’s going marks the early chapters of what will become the narrative of inherited identity, an identity that becomes meaningful when we make it our own through our choices and actions, our willingness to keep it alive.

At the end of a week that brought, after the Israeli elections, the highly anticipated US midterms, many of us might be in a similar place like Rebecca: Change has come upon her, and she embraces it, breathing in the fresh air as she mounts her camel. Her voice has the power to shape a future yet unknown. At the same time, that which looks promising might also hide obstacles and dangers – many Jewish Americans this week celebrate the election results while also being slightly apprehensive: What will the new Congress, the new mayor, bring for Jewish life in the United States, in Los Angeles? What is in store for the relationship between the US and Israel?

As we contemplate our unknown future, we also look back at what we know: This weekend moves us toward November 9, the anniversary of the pogrom of 1938, when synagogues were burned, Jewish businesses, homes and lives were attacked and destroyed across Nazi Germany and Austria. It is a reminder of how quickly a sense of being at home can be shattered, how violently the status of ger vetoshav can be ripped apart when a society decides that its Jewish residents no longer belong. As Jews, we are enjoined to remember and preserve the memory of the worlds that were lost. But Jewish identity is not sustained by memorials alone. The Holocaust is not the only identifying marker of what is Jewish. Our mindset of abundance must be stronger than our mindset of scarcity, or fear.

Rebecca returned abundance to the silent camp of scarcity where Abraham and Isaac dwelled after the Akedah and Sarah’s death. Parashat Chaye Sarah moves from burial cave to the tent and next generations, from the important preservation of memory in place and name (that is the literal translation of the Holocaust memorial Yad VaShem) to the renewal of life, to the continuation of a lineage in a new environment. We need to know what was lost and where we stand in order to muster the imagination and courage to build what comes next. As last votes are being counted stateside and the shape of the new government in Israel remains unclear, that work of imagination and courage continues – but whatever the final result, there is a new day on the horizon.

Shabbat Shalom!
Rabbi Julia Knobloch

Hadas Cootware

Torah School Coordinator

Hadas Cootware has been teaching Hebrew and Jewish Studies for over a decade, joining our Temple Beth El Community in 2018. Born and raised in Israel with Hebrew as her native language, she previously served as a combat soldier and operations officer in the IDF. Drawing on her studies in acting and psychology, she published a children’s book in Hebrew, The Marshmallow Story, which focuses on delayed gratification. Outside of teaching, she is the proud mother of her son, Henry, and loves to travel.

Ilan Davidson

Cantor

Cantor Ilan Davidson has been pleasing audiences with his singing since before he could read. At age five, he began singing with his Cantor, Philip Moddel, and hasn’t shut up since. At ten, he made his Operatic debut with the Fullerton Civic Light Opera’s production of Bizet’s Carmen, as a street urchin. Since then, he has performed roles in opera and musical theatre, performing, directing, and producing world-class productions.

Among his many accomplishments, Cantor Davidson is also known as a contemporary Jewish songwriter and performer, having delighted audiences all over the world, including Israel and Lithuania with the soulful sounds of his music. His recordings, Stained Glass (1995) and In A Hanukkah Mood (2007) are collections of original and covered songs by himself and many contemporary Jewish artists. His most recent recording, God Is In This Place (2020), is a collection of original liturgical pieces for the Friday night Shabbat Service, commissioned and written in honor of his 25th Anniversary as the Cantor of Temple Beth El.

Cantor Davidson left the stage and in 1995 joined the Temple Beth El family, in San Pedro, where, in his nearly 30 years of service, he has brought many new programs and much enthusiasm to all he does. Coming from a long line of Cantors, it must have been Besheret for Cantor Davidson, although talented in all areas of musical performance, to finally settle down into his career as Hazzan for Temple Beth El in San Pedro, California. In 2007, Cantor Davidson founded a new foundation, KindredSPIRITS, producing an annual world humanitarian aid event. KindredSPIRITS premiered on June 5, 2008 at Walt Disney Concert Hall, adding that prestigious concert hall to the ever growing list of venues around the world, where Davidson has performed. During the 10 years of humanitarian events, Global KindredSPIRITS, Inc., as an official 501©3, raised awareness and close to $500,000 for its beneficiaries over the decade.
As a past president of the South Coast Interfaith Council, Ilan fought for tolerance and understanding of ALL faiths in a difficult climate. For the past 7 years, Cantor Davidson has been service as an LA County Commissioner, representing the 4th District on the Human Relations Commission, where he currently serves as President. Whether it is raising his voice for justice, Hazzanut, Pop, Opera, Musical Theatre, or folk music, Cantor Ilan Davidson shares his soul and genuine love in every note.

When asked about his finest accomplishment, Cantor Ilan invariably responds, “After all the great concerts, services, and roles, my finest role in life is that of husband to my beautiful wife, Jodi, and daddy to my gorgeous daughters, Jordan and Zoe.”

Office: (310) 833-2467 Ext. 106

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